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中国56个民族服装展示
2008-06-11 09:20:00
中国56个民族服装展示中华民族是多民族的统一体,五十六个民族都创造了辉煌的民族服饰文化。由于每个民族的生活环境、风俗习惯、宗教信仰、民族性格和审美情趣的差异,形成了各具特色的民族服饰文化。
按民族名称拼音顺序排列
阿昌族
阿昌族聚居于云南。男子穿对襟上衣,黑色长裤,未婚男子缠白色包头,已婚青壮年男子缠藏青色包头。
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妇女穿窄长袖对襟衫,下着裙。未婚女子梳辨盘于头顶,已婚妇女束髻,缠高耸的包头。妇女喜戴各种银饰。
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白族
白族主要聚居在云南大理,那里苍山洱海风景秀丽,民族文化较为发达。白族男女均上着衣、外套领褂,下着裤。服装颜色的搭配简单鲜明,对比协调。白族人民崇尚白色。男子的包头、女子的帽箍,男女上衣,甚至裤子都喜用白色或接近白色的浅绿、浅蓝等色。
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保安族
保安族居住在甘肃省内大河家地区。保安族男子,穿白布衫,外套青布坎肩,下穿深色长裤,头戴白或黑色圆顶帽,在节日里穿长袍。女子穿色彩艳丽的衣裤,上衣为刚过双膝的有花边的大襟袄,外套坎肩,戴头盖,也戴礼帽。
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布朗族
布朗族分布在云南西部和西南部。布朗族男子上穿青布圆领长袖对襟或大襟衣,下着宽脚裤。妇女上着紧身短衫,下着筒裙,也有着长裤的。名地妇女均喜欢戴银饰。
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布依族
布依族居住在我国西南地区的盘江、红水河流域。布依族男子常穿短衣长裤,盛装时着长衫,戴瓜皮帽。
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妇女则上着短衣,下着百褶裙或长裤,戴银饰。
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朝鲜族
中国的朝鲜族是明末清初从朝鲜半岛移居东北形成的。其文化与朝鲜半岛有着深厚的渊源关系。朝鲜族男子的上衣为斜襟、宽袖,前襟有飘带,他们还喜欢穿“背褂”(坎肩)和灯笼裤,这种裤子很肥大,便于在炕上盘腿而坐。妇女多穿短衣长裙,上衣与男子相似,只是更加短小。
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朝鲜族妇女的结婚礼服
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朝鲜族儿童多穿七彩衣,色彩斑斓,好象彩虹在身。
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青年男子多戴鸭舌帽,中捞年人则戴毡帽,妇女普遍戴花色头巾。
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朝鲜族男子常穿宽大的长方形胶鞋,妇女多穿鞋头尖而跷起的船形胶鞋。
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达干尔族
达干尔族主要聚居在嫩江两岸,在东北诸民族中,是社会发展水平较高、与外界经济文化接触和交流较多的民族之一。达干尔族的服装式样以袍式为主,为便于骑马,袍前后两面开衩。男装以皮质为主,女装以棉布居多。
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达干尔族妇女的发式和装饰品各地不一,有的用白布或白毛布包头,有的戴头饰
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傣族
傣族多居住在我为云南的亚热带地区,擅长农耕和水稻种植。傣族人在生活习俗、宗教信仰等方面融合了中原和印度及中南半岛诸国文化。傣族男子多穿圆领大襟或对襟小衫,下着长裤,白布或蓝布包头。妇女穿长筒裙和短衫,梳各种发式。傣族人民崇拜孔雀和大象,常将孔雀和大象的图案编织在衣物上。
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德昂族
德昂族散居于云南省西南部,其服饰具有浓厚的民族特色。德昂族男子多穿蓝、黑色上衣和宽而短的裤子,裹黑、白头巾,巾的两端饰以彩色绒球;青年男子戴银项圈等饰物。
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妇女上着蓝、黑色上衣,下着筒裙,在腰部佩戴数个腰箍。
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东乡族
东乡族居住于甘肃省临夏东北部。东乡族服饰与当地的汉族和回族相近,妇女一般穿藏青色和黑蓝色布衣,外加一件齐膝的布坎肩;男子穿短衣、肥裤和坎肩,也有穿长袍的。
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妇女一般戴丝绸制成的盖头,头盖分绿、黑、白三色。
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侗族
侗族居住在湘、黔、桂三省毗临地区。侗族服饰分为南北两种类型。生活在北部地区的侗族男子服饰与汉族基本相同;妇女上着无领衣,银珠大扣,下着裤。南部的男子多穿对襟衣,裹绑腿, 头缠亮布;女子上着紧身衣,下着百褶裙,或上着短衣,下着长裤,盛装时着鸡毛裙。
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侗族妇女喜爱银饰,以多为美,以重为贵。
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独龙族
独龙族世代聚居于云南的独龙河两岸。独龙族喜欢在衣外披覆条纹线毯,既有古朴的山林风韵,又有现代时装魅力。独龙族男女均喜欢用染色红藤作为手镯和腰环饰物,妇女头披大花毛巾。
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俄罗斯族
我国的俄罗斯族是俄罗斯的移民和苏联归国华侨的后裔,其服饰较多地保留着俄罗斯人的传统特色。男子多穿长及膝盖的套头衬衫和细腿裤,头戴呢帽或皮帽。妇女上穿粗布衬衣,外罩一件无袖、高腰身的对襟长袍,下着长裙.
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鄂伦春族
鄂伦春人世世代代游猎于大小兴安岭的茫茫林海之中,创造了适合森林游猎的狍皮服饰文化。鄂伦春族服装以袍式为主,有皮袍、皮裤、皮坎肩、皮帽、皮手套等。冬季男子普遍穿前后开衩的长袍,妇女也穿长袍,但女袍比男袍长,不是前后开衩,而是两侧开衩。春秋和夏季多穿去毛的光板袍皮短袄和皮裤。
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鄂温克族
鄂温克族世居于额尔古纳河以南的广阔地区,由于各地生存环境的差异,各地鄂温克人有着不同的服饰文化特点。鄂温克人对服饰的制作和穿着比较讲究,无论男女衣服,其衣边、衣领等处都用布或羔皮等镶边装饰。男子一般都要束上带,否则会被视为不礼貌行为;妇女平时可以不束腰带,但劳动时也要束上。鄂温克人喜爱蓝色的衣服。
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鄂温克族的皮靴上饰有精美的图案。
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高山族
高山族生活在中国的台湾、福建、湖北等地。高山族服饰色彩绚丽,华丽精美。男子上穿短衣,束腰裙。妇女上着短衣,下穿长裙或短裤。
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仡佬族
仡佬族多数居住在贵州西部,主要从事农业。仡佬族男子多穿对襟短衣、长裤。
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妇女穿大襟短衣、长裤,青年妇女喜穿褶裙,衬衣外套坎肩,头顶一方块头巾,额顶用一绸带束住。
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哈尼族
哈尼族主要居住在云南南部。哈尼族男子上穿对襟衣、下着长裤,用黑布或白布包头。妇女服饰主要为棉布的衣裙和长、短裤。哈尼族无论男女老幼都喜欢穿青色衣服,有的地方甚至每洗一次衣服都要用蓝靛将衣服再染一次。
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哈萨克族
哈萨克族主要分布在新疆北部,是一个古老的游牧民族。哈萨克族男子穿套头式衬衣,喜欢在衬衣外套穿坎肩,冬季穿不带布面的羊皮大氅或大皮袄,下穿皮裤。妇女着名色连衣裙,夏季,外穿坎肩或短上衣,冬季则罩棉衣。
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哈萨克人的帽子、头巾颇为讲究,种类、式样很多。
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汉族
汉族是我国人口最多的民族。纵观几千年的历史,汉族的服装式样主要有上衣下裳和袍服。
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赫哲族
赫哲族世居东北的黑龙江、松花江和乌苏里江下游沿岸。三江流域的丰富野生动物资源造就了赫哲人独特的渔猎文化,其众多的鱼皮服饰构成了鲜明的民族色。
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赫哲族人将鱼皮熟制后,用来缝制上衣、套裤、革兀 革拉(一种鞋)、 腰带等,上衣较长,式样类似旗袍,主要是妇女穿用。
赫哲族妇女的鱼皮服装
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赫哲族妇女比较注重发型和首饰,喜欢戴金、银、铜、玉的耳环和手镯等。
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回族
回族是中国信仰伊斯兰教的民族之一,人口较多,分布在全国几乎三分之二的县。回族衣饰简单,老年男性一般穿黑色或灰色长衫,或低领对襟衬衫;中年人穿对襟白衬衫,外套黑色坎肩,着白裤子;妇女穿大襟右衽衣服;年青人除参加宗教仪式外,大都穿与汉族相同的服装。回族男子普遍戴白色或黑色的小圆帽,称礼拜帽,或用白毛巾和白布裹头。妇女一般戴白色圆撮口帽,或戴盖头。盖头的颜色依年龄而有别,老年用白色,中年用黑色,少女用绿色。 在服饰的颜色上,回族人崇尚白色,视白色为洁净之色。
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由于回族分布广泛,受当地环境和文化的影响,在服饰上表现出不同特点。
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基诺族
基诺族聚居于云南的基诺山一带。基诺族男子一般穿白色圆领无扣对襟衣,下着及膝宽腿裤,裹绑腿,喜用长布包头,戴耳环。
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妇女穿圆领无扣、镶七色纹饰的短上衣,内衬紧身衣或盘三角形刺绣胸兜,下穿前开合短裙,头戴披风式尖顶帽。
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京族
京族主要聚居于广西壮族自治区,以从事渔业为主。京族的传统服饰以衣裤型短装为主,即简洁美观,又适宜涉水乘船的水上生活。妇女上身内挂一块菱形遮胸布,外穿紧身、窄袖短上衣,下穿肥大的黑色或褐色长裤,节日时喜穿旗袍式淡色长外衣。
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景颇族
景颇族居住在云南境内的亚热带山区。景颇族男子大都穿对襟衣和制服裤,头缠两端缀有红绒线球的白色头巾。
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妇女都穿黑色圆领大襟或对襟短上衣,衣领周围和前胸处缀满银泡银链,下围右侧开合的红色筒裙,束腰带。
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柯尔克孜族
柯尔克孜族聚居于新疆西部,是个传统的畜牧民族。柯尔克孜族男子的典型衣着,是上穿白色套头衬衫,外穿交领长衣(“袷袢”),下穿长裤。女子着连衣裙,外套紧身坎肩,下着灯笼裤,外出时穿“袷袢”。
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柯尔克孜族男子戴各种颜色的圆顶小帽,女子戴红色圆顶花小帽或扎头巾。
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拉祜族
拉祜族聚居于云南。拉祜族男子多穿圆领对襟短衣,宽腿长裤,包头或戴青布便帽。妇女服装有两种类型:一是黑布长衫,两 边开衩齐腰部,衣襟上嵌有银泡或银牌,下着长裤;另一种是小开襟、圆领、齐腰短上衣,下着筒裙。拉祜族喜欢黑色,服装大都以黑布为底,用彩线和色布缀上各种花边图案。拉祜族男女均喜戴银饰。
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黎族
黎族生活在中国的海南岛。由于地处亚热带和热带,长夏无冬,黎族服装亦无季节之分。男子多穿无领对襟上衣和长裤,缠头巾插雉翎。妇女穿圆领对襟的上衣,下着筒裙。
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傈僳族
傈僳族主要分布在云南西北部山区,多居于半山以上。傈僳族男子穿大襟麻布长衫,长过膝,后开衩,无扣,袖加黑边,下着裤。
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傈僳族女子穿右衽麻布上衣,外罩黑绒褂,下身为多褶麻布长裙。有的地区的妇女,头戴缀满珠饰的布套头,项垂珠链。
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珞巴族
珞巴族居住在西藏东南部。在本世纪五十年代以前,由于交通不便,很少与外部接触,社会处于封闭状态。门巴族男子穿藏式氆氇长袍,外穿长及腹部的黑色贯头坎肩,背一块野牛皮。妇女穿麻布圆领对襟窄袖上衣,外披一长方形披肩。珞巴族男女都蓄长发,前额头发剪齐至眉,余发披于两肩和头后。妇女们喜戴多串五颜六色的项链。
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满族
满族服饰高雅华丽,历史上曾对我国的服饰发展有过很大影响。满族服饰的基本式样为袍式、立领、窄袖、右开大襟、钉扣袢、两侧开叉。男子服装以长袍马褂为主,妇女衣装也以袍褂为主,褂有别于男装的短马褂,是与袍齐长的长褂。努尔哈赤推行八旗制度以后,满族人均在旗,故满族人所穿的袍服被称为“旗袍”。
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清代宫廷满族妇女的服装
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除了旗袍和马褂外,满足人还有独具特色的坎肩,满族的坎肩镶有花边,绣有花卉图案,做工精致。
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满族妇女的头饰很有特色,具有代表性的是一种黑色扇状头冠,上面以绢花或珠宝装饰,称为旗人的礼冠。
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满族妇女的鞋为木质底,底高达15至20厘米,其底上宽下圆,形似化盆,俗称“花盆鞋”。
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毛南族
毛南族主要分布在广西的山区,是一个传统的农业民族。毛南族服饰简洁朴素,男女都喜欢青色和蓝色的右襟上衣和宽管长裤,女装有花边装饰,成年妇女还喜戴围裙。
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门巴族
门巴族居住在西藏的门隅地区和墨脱县,由于山河阻隔,外人难涉,历史上曾将门巴族的居住地称为“隐藏地”,至今流传着许多神秘的传说。
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门巴族男女都穿赭色氆氇长袍,束腰带,头戴褐色圆顶小帽,足穿氆氇制成的皮靴。妇女在袍外加一条白色圆筒围裙、背披一块小牛皮或山羊皮。妇女们盛装时均戴各种首饰。
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蒙古族
蒙古族游牧在南起长城、北抵大漠、东达兴安岭、西越贺兰山的广袤大地上,形成了独具魅力的草原文化,其服饰也具有鲜明的民族特色。蒙古族男女老幼一年四季都穿长袍,俗称蒙古袍。春秋穿夹袍,夏季穿单袍,冬季穿皮袍、棉袍。男袍一般比较肥大,女袍则比较紧身,以显示出女子身材的苗条和健美。蒙古袍的特点是袖长而宽大,高领、右衽,多数地区下摆不开衩。袍子的边缘、袖口、领口多以绸缎花边,“盘肠”、“云卷” 图案或虎、豹、水獭、貂鼠等皮毛装饰。
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蒙古族男子多喜欢穿兰色、棕色,女子则喜欢穿红、粉、绿、天蓝色。蒙古人认为,象乳汁一样洁白的颜色,是最为圣洁的,多在盛典、年节吉日时穿用。
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精典爱情句子
2008-06-19 10:51:29
1) I love you not because of who you are, but because of who I am when I am with you.
我爱你,不是因为你是一个怎样的人,而是因为我喜欢与你在一起时的感觉。
2) No man or woman is worth your tears, and the one who is, won‘t make you cry.
没有人值得你流泪,值得让你这么做的人不会让你哭泣。
3) The worst way to miss someone is to be sitting right beside them knowing you can‘t have them.
失去某人,最糟糕的莫过于,他近在身旁,却犹如远在天边。
4) Never frown, even when you are sad, because you never know who is falling in love with your smile.
纵然伤心,也不要愁眉不展,因为你不知是谁会爱上你的笑容。
5) To the world you may be one person, but to one person you may be the world.
对于世界而言,你是一个人;但是对于某个人,你是他的整个世界。
6) Don‘t waste your time on a man/woman, who isn‘t willing to waste their time on you.
不要为那些不愿在你身上花费时间的人而浪费你的时间。
7) Just because someone doesn‘t love you the way you want them to, doesn‘t mean they don‘t love you with all they have.
爱你的人如果没有按你所希望的方式来爱你,那并不代表他们没有全心全意地爱你。
8) Don‘t try so hard, the best things come when you least expect them to.
不要着急,最好的总会在最不经意的时候出现。
9) Maybe God wants us to meet a few wrong people before meeting the right one, so that when we finally meet the person, we will know how to be grateful.
在遇到梦中人之前,上天也许会安排我们先遇到别的人;在我们终于遇见心仪的人时,便应当心存感激。
10) Don‘t cry because it is over, smile because it happened.
不要因为结束而哭泣,微笑吧,为你的曾经拥有。
Love deeply and passionately. You might get hurt but it‘s the only way to live life completely.
Love endures only when the lovers love many things together and not merely each other.
情人不仅彼此相爱,而且有许多共同爱好时,爱才能持久.
Love does not consist in gazing at each other but in looking outward together in the same direction.
爱情不在于相互凝视,而在于共同往外朝一个方向看。
--Antoine Saint Exupery(法国小说家圣埃格楚佩里)
Sound love is not soon forgotten.坚实的爱情不会很快忘怀.
Do not seat your love upon a precipice because it is high
不要因为峭壁是高的,便让你的爱情坐在峭壁上。 (泰戈尔《飞鸟集》Stray Birds)
The family you came from isn"t as important as the family your are going to have.
你将拥有的家庭比你出身的那个家庭重要。
--D.Herbert Lawrence(英国作家劳伦斯) -
中国古代女名人
2008-06-28 14:35:58
王昭君
汉元3帝在位期间,南北交兵,边界不得安静。汉元帝为安抚北匈奴,选昭君与单于结成姻缘,以保两国永远和好。在一个秋高气爽的日子里,昭君告别了故土,登程北去。一路上,马嘶雁鸣,撕裂她的心肝;悲切之感,使她心绪难平。她在坐骑之上,拨动琴弦,奏起悲壮的离别之曲

貂婵
三国时汉献帝的大臣司徒王允的歌妓貂婵在后花园拜月时,忽然轻风吹来,一块浮云将那皎洁的明月遮住。这时正好王允瞧见。王允为宣扬他的养女长得如何漂亮,逢人就说,我的女儿和月亮比美,月亮比不过,赶紧躲在云彩后面,因此,貂婵也就被人们称为“闭月”了。
西施
春秋战国时期,越国有一个叫西施的,是个浣纱的女子,五官端正,粉面桃花,相貌过人。她在河边浣纱时,清彻的河水映照她俊俏的身影,使他显得更加美丽,这时,鱼儿看见她的倒影,忘记了游水,渐渐地沉到河底。从此,西施这个“沉鱼”的代称,在附近流传开来。
杨玉环
唐朝开元年间,有一美貌女儿叫杨玉环,被选进宫来。杨玉环进宫后,思念家乡。一天,她到花园赏花散心,看见盛开的牡丹、月季。。。..想自己被关在宫内,虚度青春,不胜叹息,对着盛开的花说:“花呀,花呀!你年年岁岁还有盛开之时,我什么时候才 有出头之日?”声泪俱
赵飞燕
汉成帝皇后。能歌善舞,体态纤美,轻盈如燕,相传其能在掌中起舞,故称“飞燕”。成帝时入宫,为婕妤,后立为皇后。平帝即位后,被废为庶人,自杀而亡
班昭
汉 班固,班超之妹。 代表作:续写汉书。
蔡文姬
蔡琰:即蔡文姬,东汉蔡邕之女。 作《胡笳十八拍》: 汉末大乱,连年烽火,蔡文姬在逃难中被匈双所掳,流落塞外,后来与左贤王结成夫妻,生了两个儿女。
卓文君
卓文君:汉 司马相如之妻。 代表作数字诗:一别之后,二地相悬,只说是三四月,又谁知五六年,七弦琴无心弹,八行书无可传,九连环从中折断,十里长亭望眼欲穿,百思想,千系念,万般无奈把君怨谢道韫
谢道韫:谢安侄女,“咏絮才”典出于斯人。 代表作:《登山》
武则天
女皇武则天大帝 :武则天是中国历史上唯一的女皇,这是从自主性上来说,其他坐过皇帝宝座的小女皇也有,但现在一般的观点都把武则天作为唯一的女皇来看待,因为她是凭借自己的实力登上皇帝宝座的,不是别人的傀
上官婉儿
上官婉儿:(664~710)陝州陝縣(今屬河南)人,唐高宗時宰相上官儀孫女,上官婉兒熟讀詩書,不僅能吟詩著文,而且明達吏事,聰敏異常。
班婕妤
汉成帝妃——班婕妤西汉女文学家。名不详。楼烦(今山西宁武附近)人,班固祖姑。少有才学,成帝时被选入宫,立为婕妤婕妤是名门之女,少有才学,汉成帝时被立为婕妤,赵飞燕姐妹得宠后,嫉恨班婕妤人品才学,班婕妤恐日久见危,求侍奉太后于长信宫
甄洛
魏文帝皇后 ——甄洛 曹丕称帝后宠郭皇后,郭后恃宠中伤甄皇后,甄后从此失宠,抛开帝后的身份不谈,从《塘上行》里读到了一个妻子对丈夫相思到极致的、一往无悔的深情泣诉,可怜甄后最后等来的只是曹丕的一纸死令。
花蕊夫人
花蕊夫人:是后蜀后主孟昶的费贵妃,一个歌妓出身的贵妃。费贵妃,青城(今都江堰市东南)人,也号花蕊夫人。世传《花蕊夫人宫词》100多篇,其中可靠者90余首。 宋灭后蜀时,只用了一万军队,而后蜀的十四万军人几乎不战而降,花蕊夫人随孟昶流亡北行
陈圆圆
陈圆圆,原本姓邢,名沅沅,字畹芬,儿时丧母后随其姨父改姓名为陈圆圆。最初是苏州一位有名的歌舞伎,由于她形压众丽、貌盖群芳,且善喜音律,通晓文墨,因此艳名远扬
李清照
李清照(1084-1155?),号易安居士,济南(今属山东)人。出生于文学艺术修养很高的仕宦家庭,父亲李格非官居礼部员外郎,博学多才,对文学、经学、史学都颇有研究,清照从小就受到很好的文学艺术熏陶。18岁嫁赵明诚,夫妻二人感情融洽
左芬
左芬 : 晋武帝司马炎闻听诗人左思的妹妹左芬才情过人即纳入后宫,左芬因为德才超群每每被帝王群臣赞赏,使后宫佳丽见妒。一贯荒唐渔色的司马炎是历史上最无耻无为的帝王之一,左芬被封为贵妃
黄娥
黄娥:明代女文学家,字秀眉,四川省遂宁市人。杨慎之妻,世称黄安人、黄夫人。父珂官尚书,自幼博通经史,能诗文,擅书札。政德十四年(1519)与杨慎结婚不久,慎谪守云南,长达30年之久,长期留居夫家新都区,管理家务。
卫子夫
汉武帝皇后——卫子夫 卫皇后,字子夫,西汉武帝之后。生年不详,卒于汉武帝征和三年(前90年)。平阳(今山西临汾)人。子夫本是袭封平阳侯曹时府中的歌妓,服侍曹时的夫人平阳公主。
鱼玄机
鱼玄机(844-868):鱼玄机(约844——约871年)字幼微,一字蕙兰,长安(今陕西省西安市)人,市民家女,姿色倾国,天性聪慧,才思敏捷,好读书,喜属文。十五岁被李亿补阙(掌讽谏之官)纳为妾,与李情意甚笃、但夫人妒不能容。
董小宛
董小宛,名白,字青莲,又名宛君,与秦淮南曲名妓柳如是、顾横波、马湘兰、陈圆圆、冠白门、卞玉京、李香等八人,被时人誉为"金陵八绝"。 小宛生于南曲青楼之中,其母陈氏为南曲歌妓,其父董旻为门下清客。
花木兰
代父从軍--花木兰是古代时河南省虞城县营廓人。女扮男装,代父从军,屡立战功。凯归,帝封官嘉奖,木兰不受,欲纳宫中,以死拒之。唐初,追封为孝烈将军。人们为纪念她,于唐代修建花木兰祠
夏姬
夏姬,原籍郑国,本是郑穆公的亲女儿,上文吃鳖的郑灵公先生的妹妹。她具有息妫(桃花夫人)的美貌,更兼文姜的活泼,是春秋四大美女之第三
孙尚香
孙尚香:三国美女之一,孙坚之女,孙策、孙权的同父异母妹妹,也就是“赔了夫人又折兵”里的女主角
窦氏
汉章帝皇后——窦氏: 东汉章帝皇后窦皇后是东汉一个干政的皇后,她在邓绥之前。她很美貌,也很有手段。她是东汉开国元勋窦融的曾孙女,只是她出生时,家中已经发生了变故,再无往日的显赫了。所以,她生长在破落的名门里,自然也有一种不顾一切望上爬的野心
邓绥
汉和帝皇后——邓绥:(81~121年)。邓绥是东汉护羌校尉邓训的女儿,前太傅高密侯邓禹的孙女,她的母亲阴氏是光烈皇后阴丽华的侄女。南洋新野(今河南新野)人。和帝死,她先后迎立殇帝、安帝,临朝执政近二十年,其兄居要职
李香君
李香君:传记记载李香君是秦淮河上的名妓,卖艺不卖身。与董小宛,柳如是等人闻名于明末清初
侯夫人
隋炀帝在位期间广造高楼,并网罗天下美女数千名纳于迷楼中幽闭,侯夫人就是这几千名一辈子都没有见过隋炀帝的宫女之一,侯夫人最后自缢而死,一个美丽的才女,就这样被白白死去了,身后只留下了几首咏物寄意的空灵飘逸的小诗,让后人读来辄用伤怀。
唐琬
唐琬:陆游表妹兼妻子。 代表作:钗头凤 世情薄,人情恶,雨送黄昏花易落。晓风干,泪痕残,意缄心事,独语斜难。难、难、难! 人成各,今非昨,病魂常似秋千索。角声寒,夜阑珊,怕人询问,咽泪妆欢。瞒、瞒、瞒!
薛涛
薛涛(770-832):字洪度。父薛郧是一京都小吏,安史之乱后居成都,薛涛于唐代宗大历三年出生。 薛涛幼时即显过人天赋,八岁能诗,其父曾以“咏梧桐”为题,吟了两句诗:“庭除一古桐,耸干入云中”;薛涛应声即对:“枝迎南北鸟,叶送往来风”。薛涛的对句似乎预示了
朱淑真
朱淑真:宋代著名女词人,知名才女,诗词皆擅,当然入选。 代表作:有〈断肠集〉传世
郭爱
明代的官女大都出自京城门庭清白的小户人家,一旦被选入宫,就意味着从此与家人生死永不得见,而且明初的宫廷沿袭了元代惨烈的人殉制度,官女郭爱被勒令为明宣宗殉葬时入宫仅20天,《绝命辞》是临终时所作,字字血泪与父母诀别,自此后魂消影绝阴阳两隔
柳如是
柳如是是活动于明清易代之际的著名歌妓才女,她个性坚强,正直聪慧,魄力奇伟,名气很大。 柳如是名,字如是,小字蘼芜,本名爱柳,因读辛弃疾词:“我见青山多妩媚,料青山见我应如是”,故自号如是
李师师
李师师:李师师原本是汴京城内经营染房的王寅的女儿,三岁时父亲把她寄名佛寺,老僧为她摩顶,她突然大哭。老僧人认为她很象佛门弟子,因为大家管佛门弟子叫“师”,所以她就被叫做李师师。
